(last updated: 1/1/97)
"To Become One Yet Many": Psychic Fragmentation and
Aesthetic Synthesis in Ralph Ellison's Invisible Man
Black American Literature Forum
Winter 1989, 23:4
Indiana University Press Terre Haute, IN
Synesthesia, "Crossover", and Blacks In Popular Music
Fiction and Reform: II
The Columbia History of the American Novel
Columbia University Press, New York, NY 1991
Eloquence and Epitaph: Black Nationalism and the Homophobic Impulse in Responses to the Death of Max Robinson
Social Text Vol. 9 No. 3, 1991
Playing in the Dark: Privacy, Public Sex, and the Erotics of the Cinema Venue
Camera Obscura: Bloomington, IN 1992 May, n. 30
Nationalism and Social Division In Black Arts Poetry
Of the 1960s.
Critical Inquiry Winter 1993, 19:2
University of Chicago Press, Chicago, IL
Eloquence and Epitaph: Black Nationalism and the Homophobic Impulse in Responses to the Death of Max Robinson
Murphy, Timothy F. (ed.); Poirier, Suzanne (ed.). Writing AIDS: Gay Literature, Language, and Analysis.
New York: Columbia University Press, 1993.
Private Affairs: Race, Sex, Property, and Person
GLQ. Vol. 1 No. 2
Gordon & Breach, Langhorne, PA 1994
The Subversive Edge': Paris Is Burning, Social Critique, and the Limits of Subjective Agency
Diacritics:1994 Summer-Fall, 24:2-3
Walk-On Parts & Speaking Subjects: Screen Representations of Black Gay Men
ed. Thelma Golden. Black Male: Representations of Masculinity in Contemporary American Art. Whitney Museum of American Art: 1994
Framing the Margins
The Social Logic of Postmodern Culture
New York: Oxford University Press, 1994
Around 1969: Televisual Representation and the Complication of the Black Subject
Sollors, Werner ; Diedrich, Maria (eds.).The Black Columbiad: Defining Moments in African American Literature and Culture.
Cambridge, MA : Harvard University Press, 1995
Symposium on Race & Racism
Social Text Vol 13,No 1, 1995
Are We Not Men? Masculine Anxiety and the Problem of African-American Identity
New York: Oxford University Press, 1996
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